Air Crates For Birds: Specifications

Many of you know I am relocating to the United Kingdom so I can do the work of historian-researcher better and offer you the best information possible in the Legendary Women of World History and Legendary Women of World History Dramas. This means flying international with my two precious cockatiels whom I absolutely ADORE.

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Arwen is ready to fly!

But getting a bird from the USA to UK is an annoying challenge — and it has nothing to do with UK immigration law nor with the USDA’s rules for taking a bird out of the USA.  Rather, the annoyance of this process comes from the circular information you receive when trying to answer that straight forward question:  what kind of cargo crate do I need and how do I get one that will be accepted at both JFK (the main airport birds fly to Europe from) and LHR?

The last several months I’ve been driven crazy in circles.  I consult one website which directs me to another page and another and another and not ONE BIT is about flying WITH BIRDS. Even the pages that say they are giving you information about flying with birds inevitably re-direct you back to something that only applies to cats and dogs. (Example pg 1 to pg 2. Note how general this gets (at best) for animals other than dogs/cats).  Messaging on social media doesn’t help either, nor does email or even phone calls.  No one seems to know anything and what they do know is to refer you back to the same pages you’ve read several times before that only talk about cats and dogs. It’s the customer service runaround that drives everyone crazy when planning a big trip.

Finally today I heard from IAG Cargo which handles air cargo for British Airways and is ultimately the company that off-loads animals from BA planes and brings them to Heathrow’s animal terminal for customs clearances.  What they gave me was a pdf of the following three pages from the International Air Transport Association (IATA) which sets all the standards for all crates for all animals traveling internationally.

IATA container info pg 1IATA container info pg 2IATA container info pg 3

Does that look overwhelmingly complicate to you?  It sure does to me.  Which brings us to what it all really means:

When travelling with birds a custom crate needs to be made that meets IATA rules for your bird species. While you can do this yourself, the best way to make sure the crate conforms to that maze of rules is to buy one from a professional.

The first company I priced was Pet Relocation, a big company based in Austin, Texas.  However a better deal is to be had by shopping around. West coast based O’Brien Animal Transportation Services offers custom crates for birds and help with pet moves (avian, canine, feline) with personalized and personable customer service that far surpasses what I’ve experienced with Pet Relocation. A sweet lady at O’Brien referred me to Sally at Newark/New York City based Airborne Animals which offers exceptional customer service for pet moves beginning on the East Coast.  What I love about Airborne Animals: they are very upfront about what goes into moving costs actually TELLING YOU what the average fees are for each part of their service.  That’s something the competition DOESN’T do and why I’ll be flying with Airborne Animals’ help.

 

The Peers of Beinan: A Literary Journey

Castle Fantasy BackdropThere is a lot of science fiction on the market from independent authors published these last five years since I first published “The Great Succession Crisis.”  It is a crowded field where it is easy to get lost in. As with many popular genres, a huge number of books seek to emulate the plot and character elements of mega hits on the assumption of that what works for one highly profitable author must work for them as well. We’ve seen this with “Twilight” style paranormal romances.  We’ve seen this with “Five Shades of Grey” styled erotica.  The list goes on and on.

As moderator of a book promo group on facebook, I get to see the copycats almost ad nauseam. Books all look the same after a while. And while the premise of copying another’s ideas is repulsive to me as both a science fiction author and as a dedicated historian, I do genuinely see some success in these authors following those formulas — if the measure of success is Amazon rankings in any event.

But open these books and the blandness of copycatting shows itself. The writing lacks the sort of literary luster of the books and authors whose work holds the test of time. That is, perhaps, the best distinction one makes between commercial and literary fiction.  Commercial fiction is about today’s sale.  Literary fiction is about creating timeless works of art.  My fiction is literary fiction.

The Peers of Beinan Series is everything I love about the classics. As a free thinker and intellectual with a life-long passion for learning, it has never been my habit to follow the crowd – on anything. Whatever was “hot” or “trendy” was never of interest to me.  I always liked to be different. On occasion what I’ve liked and what the greater society is into have coincided — but never by my conscious design and rarely in precisely the same way.

I started my writing career with the Peers of Beinan because I saw an America becoming more and more socially and politically divided, an America where it was becoming more and more difficult to engage in civil conversations about the stuff that matters. I saw an America that was increasingly creating false equivalences between fact and opinion and where acts of hate against those who are different was going unpunished and ignored. Sound familiar?

I wanted to engage in an honest discussion with people about the subjects that matter to me most. Looking to the great science fiction/fantasy authors I like best — Gene Roddenberry, Dorothy “DC” Fontana, Ray Bradberry, Frank Herbert, Issac Asimov to name just a few — what I noticed is they often tackled some really big social and sometimes political subjects in their books — without offending people in the process.

I wanted to do the same.  I wanted to talk to people and encourage people to really think about things that matter to me. And I wanted people to open their minds to ideas and possibilities that put a different way to them they would never listen to.

And that is, in essence, what the Peers of Beinan Series is. It’s my reaching out across the universe and saying “this is important, please think it about it” from a group of stories that don’t ask that question directly of people.

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In personal interactions I am known for my point-blank directness. I don’t play the stereotypical gender roles game — not any more at least. And so I am “bold” as a woman and a writer. The Peers of Beinan is less point-blank than I usually am. It seeks to provoke thought without being confrontational. And just as important to me personally:  it seeks to bring you hope. For in the greatest darkness and despair, there is always Light. That’s how I overcame the great adversities of my life and how you will too.

 

Death and Taxes: Lessons Learned

Death and Taxes are the two things no one can avoid. While taxes is something we face every year, the death of a parent is something we face only once or twice, depending on our family situation. As I found out with the 2016 death of my mother, our knowledge of how to handle taxes after the death of a parent or other close loved one is very limited.

Despite all the information out there online on both subjects individually, I found it all extremely confusing as I tried to navigate that complexity of what happens with your taxes when someone close to you dies.  Tax law is very complicated and tax guidance is even more complicated. No one wants the liability of telling you anything just in case what they tell you does not apply to you. In most cases, people want you to spend massive amounts of money consulting with attorneys and tax professionals instead of giving you the most basic advice.  It’s akin to a nurse not telling me to run cold water on a burn and sending me to the hospital (at a delay of hours) when my hair caught fire blowing out candles when I was in university. The burn gets worse by not taking immediate action.

The following is what I learned filing my 2016 taxes.  My situation may be different from yours. You may have a more complicated tax situation than I did. What follows is some simple advice from my tax filing as equal beneficiary to my brother who was the executor on her estate.

Taxes to be paid:

  • The executor of the state must file Federal and State income taxes for the deceased. If the deceased has no tax liability, that is fine. But the returns must be filed on behalf of the deceased.
  • If deceased owns her home at time of death and it is to be sold, sell the home as quickly as possible to reduce tax liability and simplify your tax situation. Same for any other property that is usually taxed upon sale.  If you are not keeping the property for the long term, you make your life easier by selling it as soon as possible.
  • If you inherit any annuities or retirement funds, those funds are taxable by the Federal government if they were tax-deferred plans such as 401K, traditional IRA, etc. Pre-pay that tax before you receive any funds if at all possible.  It may not always be possible to pre-pay the taxes so ask the financial institutions involved about it.

The more you pre-pay taxes, the easier filing your return becomes. In this it is no different than when you choose fewer tax deductions as you are working and thus have more taxes taken out of each check as you earn. When the tax season hits, a refund is easier to handle than a big tax bill. Err on the side of caution and pay as much tax as you can before you receive funds from the estate so you don’t over spend and find yourself unable to pay those taxes when the bill arrives.

Now here is the good news:  what is NOT taxable:

  • Cash, savings, checking, and certificate of deposit funds.  That is because the deceased already paid income taxes on those funds.  You do not report these funds to the IRS.  It’s your money.
  • Proceeds from the sale of a home if the executor has paid all applicable taxes up front.  In the common case of a home being sold and its funds being dispersed to multiple beneficiaries, those beneficiaries do not pay taxes on it nor do they claim those funds as income because all taxes have already been paid.  For example:  a home sells for $100,000.  After taxes, attorney fees, and other closing costs the net sale is $80,000.  The Will specifies two beneficiaries which then each receive $40,000. The $40,000 received is not taxable because it’s the net after taxes are paid. The beneficiary does not pay tax on the $40,000; the money stays off the tax return.

 

good-morning-america-18-june-2001-002

My mother and me during a 2001 visit as part of the studio audience for Good Morning America.  This is us with anchor Charles Gibson, one of my mother’s favourite celebrities.

Now of course I’m not a lawyer.  I am not a tax professional. I’m a historian and an author from a humble background.  My mother was not a rich, glamourous person.  She was a teacher before I was born and a factory worker and retail clerk for most of her working life after I was born. She was very average, living paycheck to paycheck and doing creative things to keep us fed and with some sort of roof over our heads.  So her estate was not massive and there were no capital gains taxes that I needed to concern myself with.

Maybe this blog post is useless. But maybe it helps you too.  I stressed out for MONTHS over the tax consequences of my mother’s death. I smartly put 30% of my inheritance into a high yield savings account (I switched to Ally Bank to maximize those earnings) in part because I was terrified that I was going to have to pay nearly everything I inherited back to the government.  I did not. A tax professional explained to me what I just posted and set my mind at ease.  I hope this post does the same for you.

Rest in peace mom. May you find joy in your new incarnation and the love you never found in this life.

King Stephen and Herr Trump: thoughts on the inauguration

Today Donald J. Trump will take the oath of office to become the 45th President of the United States. He does so as the most hated and distrusted person to ever swear that oath, an oath that he refuses to uphold and will never uphold beyond his ability to use the government of the United States for personal profit, something explicitly forbidden by the Constitution of the United States and therefore the oath he is about to take.

trump

Taking an oath of office you have no intention of upholding is nothing knew.  Nearly every king and queen regnant of England, Great Britain, and the United Kingdom has sworn a coronation oath.  Here is that oath and coronation ritual as King Stephen swore it on 26th of December, 1135 when he usurped the throne of King Henry I’s daughter and heir, Empress Matilda:

stephen

“Do you Stephen de Blois solemnly swear to uphold the three duties of the king of England? Will you swear first, that the church of God and the whole Christian people shall have true peace at all time by your judgment; Second, that you will forbid extortion and all kinds of wrong-doing to all orders of men; Third, that you will enjoin equity and mercy in all judgments?” asked the Archbishop of Canterbury as he stood before the assembly at Westminster Abbey.

“I so swear!” promised Stephen.

The archbishop turned to the nobles assembled before him, “Do you, members of the Witan council consent to this man ruling as your king?”

“We wish it and grant it,” confirmed the Witan.

“Stephen de Blois, it is the will of the English people that you are to be king!  Receive now the anointing from God through me that you may be blessed in your reign!” proclaimed the archbishop as he anointed Stephen on his hands, breasts, shoulders, and arms with holy oil prepared for the coronation. In honour of the king’s duty to protect his people, he girt Stephen with a mighty sword before placing the royal crown upon his head. The royal ring he placed on Stephen’s finger. The sceptre and the rod he placed in Stephen’s hands. Finally, and at long last King Stephen sat down on his throne, his ambition fulfilled.

 

Trump’s coronation today (for there’s nothing democratic about his “presidency”) will resemble King Stephen’s in many strikingly similar ways–as will his reign. Stephen of course did not have nuclear weapons.  But like Trump, Stephen was a sort of puppet, a weak-minded monarch who allowed shrewder and even more ambitious men to use him for their personal gain — at the expense of not only the English people, but the entire island of Britain. King Stephen’s reign and its impact on England, Scotland, and Wales is an important part of “Empress Matilda of England.”  

empress-matilda-of-england-web

Empress Matilda of England tells the story of Henry I’s sole surviving legitimate child.

Matilda herself did not cross the Channel to assert her birth right upon hearing of Stephen’s treachery for she was heavily pregnant at the time and crossing the English Channel was a dangerous matter.  Stephen of course did not have nuclear weapons at his disposal.  Four hours from this writing, Donald J. Trump will.

We cannot afford delay in Resisting. We cannot afford to wait and see and hope that maybe Trump isn’t as bad as he seems.  Do not let the gas-lighting convince you to mistrust your own eyes, ears, and judgement. Do not get lulled into a false sense of security.

King Stephen inflicted eighteen years of civil war upon Britain, years called “The Anarchy.” They were among the worst years in British history.  Let us not allow history to repeat itself here.  Let us learn from history. Only our lives and liberties are at stake.

 

 

 

Gwenllian ferch Gruffydd Análisis De La Escena: Vestuario

gwenllian-three-acts-espanol-web

Ya disponible.

Traducido por Andrés Sotelo Soria:

Buen día y bienvenido seas a tu viaje como recreador, actor o productor de una de las Obras Teatrales de las Mujeres Legendarias de la Historia Mundial.
Como historiadora, me apasiona la historia. Adoro pocas cosas más que ver una obra de teatro del periodo correcto en la que se representan de forma exacta los vestuarios. Pero, ¿qué se puede hacer si tienes poco presupuesto o si vas a montar las obras de “Gwenllian ferch Gruffydd” o de “La Emperatriz Matilda”? ¿Qué pasa si no tienes años de experiencia en investigación de vestidos medievales?

La siguiente es una guía general para las producciones de “Gwenllian ferch Gruffydd: Un obra en tres actos” y para la reconstrucción general de personajes del siglo XII:

ANÁLISIS DE LA ESCENA: VESTUARIO

A menos que se especifique en algún otro sitio, los personajes usan atuendos comunes del siglo XII

MUJERES: vestidos de túnica que llegan hasta el suelo y los primeros briales conocidos, ambos usados con cinturones largos que se ajustan fijamente alrededor de la cintura. Los briales (cuando se usen) se atan de lado. Las capas se usan en la noche y durante los meses de invierno.  Las galesas usan una continuación de la antigua capa envuelta y asegurada con un prendedor llamada “brat”.

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HOMBRES:  camisas de túnica que caen hasta la rodilla y pantalones sencillos. El cinturón está amarrado fijamente a la cintura. Las capas se usan en la noche y durante los meses de invierno.  Los galeses usan una continuación de la antigua capa envuelta y asegurada con un prendedor llamada “brat” La jerarquía tanto de los hombres como de las mujeres se muestra a través del tipo de tela y los adornos con bordados elaborados a lo largo del escote, las mangas y dobladillos en los dobladillos de la ropa usada por la realeza. La joyería también establece la jerarquía con anillos elaborados y gargantillas llevadas por los ricos y poderosos.  Nota:  los collares de librea (los cuales se posan de forma plana contra el cuerpo en vez de colgar libremente en el cuello) se usaron por primera vez en el siglo XIV y, por lo tanto, están fuera de este periodo.  Vestuario especialPrólogo: el fantasma de Gwenllian usa un brial de color azul pálido con rosas blancas y narcisos amarillos bordados a lo largo del dobladillo.  Es el mismo vestido que usa Gwenllian en el Acto I, Escena VIII.

Acto I, Escena II: El lodo cubre las capas y las botas de Hywel y el príncipe Gruffydd.

Acto I, Escena VII: Gwenllian usa un bello vestido y una capa bordada.  Su cabello pelirrojo está perfectamente trenzado y cae sobre su espalda.  Una diadema sencilla de nobleza oculta su verdadera posición social como la hija del rey.

Acto I, Escena VIII: Gwenllian usa un brial de color azul pálido con rosas blancas y narcisos amarillos bordados a lo largo del dobladillo.  Lleva sobre su cabeza la diadema real de una princesa de Gwynedd sobre su cabello trenzado descubierto.

Acto III, Escena I: la dama de compañía pone una capa gruesa sobre el vestido de túnica sencillo de Gwenllian. Los sirvientes colocan una armadura pesada sobre el príncipe Gruffydd sobre la cual atan una capa gruesa.

Acto III, Escena II: la armadura del príncipe Morgan, su ropa y su cara están cubiertos de sangre, lodo y hollín.

Acto III, Escena V: los granjeros usan túnicas y pantalones viejos y en su mayoría raídos. Gruffydd ap Llewellyn usa una armadura modesta y está armado con armas de calidad. Morgan y Maelgwn llevan una armadura y armas finas.

 

Language switching and “Empress Matilda of England”

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As Matilda prayed King Henry quietly slipped into the chapel, “You are still in mourning, Matilda.”

Matilda turned to him and bowed her head respectfully, “Mein König!”

“You are not empress and this is not Germany.”

“Ja, mein König.”

“Stop calling me that and speak English, Matilda,” growled King Henry sternly.

“Pourquoi?”

“Parce que je suis le roi d’Angleterre et vous êtes ma fille!”

“Oui, sa est ta fille, Henri,” confirmed Queen Adeliza as she strode out from behind one of the chapel’s many columns. Adeliza curtsied to Matilda, “Guten Morgen, meine Kaiserin. Fröhliche Weihnachten.”

“Fröhliche Weihnachten,” smiled Matilda before switching to English, “You must be my step-mother.”

If you are a fan of the Legendary Women of World History Series, you are probably familiar with quick language switching from the above except from “Empress Matilda of England” that hallmarks the series. Historical persons speak many languages in the Legendary Women of World History, a reflection of their personal histories and the world around him. Speaking in one’s native tongue, at least occasionally, helps us remember who people are.  Language is a core part of our identity, our psychology, even when we are not conscious of it. Words carry not only their direct meaning, but a cultural subtext that literally alters how we think.  One of the many benefits of speaking multiple languages, at least partially, is the way each language forces us to work from a different point of view.

Chinese, for example, uses the same verb form regardless of singular, plural, or when something happened.  In Chinese things these are signaled through nearby words. For example 我说中文 means “I speak Chinese.” 说 is the verb “to speak.” 她们过说中文 means “they [female] used to speak Chinese. In spoken Chinese the words “he” and “she” are pronounced exactly the same. The ideas of “he” and “she” are contextual in Chinese. 她们过说中文 and 他们过说中文 sound exactly the same and in English are translated the same since English does not distinguish gender in the third person plural unlike French which does (ils sont verses elles sont).

Specific traits from our native language shape our view of the world. Gender is not immediately obvious in spoken Chinese (only in written Chinese) unlike many Western European languages where gender is instantly recognizable. Welsh often begins sentences with the direct object and puts the subject last. A famous example of that from Gwenllian ferch Gruffydd is my favourite line, “Cymraes dw i,” which means I am a Welsh woman. Cymraes means Welsh (person) in the feminine form (the masculine is Cymraeg which is the same word as you use for the Welsh language). Dw i means “I am.” Welsh often mutates. “Gymraeg” is the same word as “Cymraeg” and which one you use depends on context — and is one reason why the language is best learned in person with native Welsh speakers.

It is this massive role that language plays in our lives that requires the persons in the Legendary Women of World History series to occasionally speak a few words of her or his native tongue.  When Baron William Fitzgerald calls Matilda, “F’arglwyddes!” she and you along with her immediately know that William is Welsh. F’arglwyddes, if you haven’t guessed, means “Milady.” Incidentally “Fitz” in a name means “son of” and is the French equivalent of Welsh “ap” in a name.

Fortunately, most of the non-English in the LWWH can be figured out through context. Contextual reading is not usually the way Americans are taught to read, but it is critical skill to develop and one more reason why the LWWH make excellent texts for home schools. Contextual reading means you are working not only on the word level, but the sentence and paragraph level to discern meaning. In chapter one of Empress Matilda, I kick this up a notch in a single scene.

“Guten morgen. Sie müssen Matilda sein. Ich bin Heinrich, der römisch-deutsche Kaiser.” Smiling Emperor Heinrich looked into Matilda’s grey eyes, the blankness on her face making clear to him that she did not understand what he just said. Slowly Heinrich knelt beside her to meet her eyes, his voice soft and reassuring. “Ich werde dich nicht verletzen. Hab keine Angst. Ich bin derjenige, der dein Mann sein wird. Ich bin jetzt dein Kaiser und wenn du alt genug bist, wirst du meine Kaiserin.”

Here we are confused and meant to be confused. Matilda is eight years old and suddenly ripped from her home and family in London to be presented to Kaiser (Kaiser means “emperor” in German) Heinrich V to whom she is to be wed. Like most royal brides of the middle ages and early renaissance, she does not speak a word of her future husband’s language. Because we do not understand on a sentence level what he is saying to her, we share in her terror and confusion and in her relief when, soon after in the scene, the English ambassador steps forward and summarizes what Heinrich just said, telling her that this is the emperor to whom she is to be wed and conveying to her his reassurances that he means her no harm.

This is context on the scenic level which is the level that we operate on when in social situations. For example, a simple “Merry Christmas” can express completely different ideas and intentions depending on who we are speaking to, when, our tone of voice, and our histories with the person or persons we are saying it to.

This is the level you are sometimes asked to work on when reading Empress Matilda of England. This is a major reason why Matilda is for ages twelve and up; it requires a more advanced reading proficiency than the six previous books in the series.

Whether Empress Matilda of England becomes your next favourite book or not, it is my sincerest wish that you will never stop reading, never stop learning, and never stop seeking to make tomorrow better than today. Let’s roar!

 

 

Repost: Sweet potato hash brown egg cups

Reposted from http://www.today.com/recipes/sweet-potato-hash-brown-egg-cups-recipe-t106986

sweet-potato-hash-brown-egg-cups

COOK TIME: 30 minutes
PREP TIME: 20 minutes
SERVINGS: 12

Eggs and hash browns go together like, well, eggs and hash browns! But eating them in a muffin-form makes them even better. I love to top mine with avocado and a drizzle of hot sauce. This is a great recipe to make on a Sunday morning because if you have leftovers, they are the perfect breakfast on-the-go for later in the week.

Technique tip: Squeezing the grated potatoes in a paper towel before baking them will remove excess water and make for a crispier hash brown shell.

Swap option: You can definitely stick to one potato or the other, depending on your preference. I like to add one russet potato to the sweet potatoes because I feel like it creates a crispier hash brown. You can also experiment by adding veggies or cheese before placing the eggs on top.

Ingredients

    • 1 tablespoon butter
    • 1 small onion, finely diced
    • 3 cups sweet potato tater tots (defrosted)
    • 1 cup regular potato tater tots (defrosted)
    • 12 eggs
    • Cooking spray
    • Salt and pepper

Preparation

1. Preheat the oven to 400°F.

2. In a medium skillet, melt butter over medium-low heat. Add the onions and sauté for a few minutes. Add the tater tots, season with salt and pepper and sauté for roughly 10 minutes. Using a wooden spoon, break them up while they cook so they resemble hash browns. Set aside.

3. Line a few paper towels in a large colander. Place hash brown mixture into the paper towel. Wrap up the potatoes with the paper towel and squeeze out as much water as you can. Then place in a large bowl.

4. Spray a muffin tin with cooking spray. Take a few tablespoons of the hash brown mixture and place in each cup, using fingers or a rubber spatula to push the potatoes into the bottoms and up the sides of the cup, creating a tight nest. Spray once more with cooking spray.

5. Place hash browns into oven and bake for 15 to 20 minutes. Let cool slightly.

6. Crack one egg into each cup. Season tops with salt and pepper. Place back in oven and cook for another 15 minutes, until whites of eggs have set (you can cook for longer if you prefer a firmer yolk).