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How to Format Paperbacks Without Createspace’s Interior Templates

Formatting is one of those things every independent author must learn to do.  For most independent authors this means learning the quirks of publishing with kindle direct publishing, Smashwords, and Createspace.

In the last five years since the initial publication of the first edition of “The Great Succession Crisis” I have published dozens of paperback editions, including an experiment with QR coded paperbacks connected to an elaborate website built around the Complete Data Files.

Across the years I would typically create paperbacks by first creating the kindle edition, then copying/pasting the contents into a pre-formatted template file generated by createspace for my chosen trim size (usually 5.06″ x 7.81″ or 6″ x 9″).  No doubt many of you do the same.

But what do you do when that template no longer works and scrambles your book content when you paste it in?

When this happened to me in February 2017 while publishing “Gwenllian ferch Gruffydd: A Play in Five Acts” I went nuclear–as in the nuclear method of formatting where you copy your book into a plain text editor and then back again into MS Word.

On a regular book that uses the same basic format across every paragraph, the nuclear method is more or less a minor annoyance.  However on books like stage plays where formatting is rigid and complex, the nuclear method means weeks of tedious work restoring the formatting on a line by line basis.  I did this once; I will never do it again.

So what is the alternative?  Simple: change the page layout in your original kindle file to match your chosen trim size.

When making this change you want to go into Layout tab of Word.  You will be changing two parts of the layout:  page size and margins.

 

How-to-paperback-layout 3Begin by deciding on your trim size. The above graphic from the Createspace website shows your options and the page constraints of each trim size.

Next go into the Layout tab in Word and set the paper size.  This needs to match your trim size exactly.

 

How-to-paperback-layout 1

Finally with the page setup screen still open choose “margins” (also found at layout – margins – custom margins).

How-to-paperback-layout 2

First set “pages” to “mirror margins” generate the correct margin options of top, bottom, inside, and outside. Set your top and bottom margins to 0.75″, your inside margin to 0.75″, your outside margin to 0.5″, and your gutter to 0.13″ and apply to the entire document.

These margins are the same regardless what trim size you choose which is why setting your paper size first is so important to formatting your paperback.

Once both of these are set your document will change from its default 8.5″ x 11″ with 1″ margins that you are using on your digital book interior to the correct settings for your paperback — no separate template required and no scrambling of your book file. Create your front matter table of contents, copyright, and ISBN front matter as usual, add in whatever headers and footers you prefer, insert page breaks as needed, and viola! You are ready to save your book to pdf and upload for publication.

This method works equally well for both Createspace and Babelcube and should work with other paperback publishing platforms as well.

 

Formatting your book can seem daunting.  But with a little creativity and patience anyone can format a professional-grade paperback book.  It’s all in the layout!

 

 

 

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Babelcube beware: what authors need to know before signing a Babelcube contract

Boudicca German web

The German edition of Boudicca was beautifully translated by Christina Loew. Thanks to frequent communication and Ms. Loew’s professionalism, the translation process was smooth and easy — exactly what most authors are looking for when joining Babelcube.

If you subscribe to this blog you know that in 2016 I took my books deeper into the global market.  After an exasperating fore into the Chinese market via Fiberead, I had high hopes for Babelcube, a platform for translation that mirrors many of the features familiar to authors who use Amazon’s ACX.com site for audio production.  But as with ACX, successful production and publication requires understanding the system and knowing how — and when — to walk away from something that is not working.

The ability to walk away is important for independent authors because a poorly translated book is damaging to the author’s brand; it reflects on the author as much if not more so than the original editions written by the author in her or his native language.  Therefore an author’s career is at stake each time the author signs a translation contract.  Don’t mess with this, my friends.  As much as you want to be sweet and nice when it comes to dealing with potential translators your life depends on you being picky and walking away when you can from any deal or possible deal that doesn’t uphold your author brand.

The first place you can walk away is when a translator first sends you an offer to translate.  This is the best time to fully vet the candidate.  Don’t skimp on this and do not feel obligated to accept any particular offer. We all want to be nice and we want to give people their break into a new career.  The problem with doing that is you may end up with poor quality work because the person has never been tested in the professional world as a translator.  Before signing anything TALK TO THE TRANSLATOR — don’t just look at the profile and give the person the benefit of the doubt because s/he seems likable.  Remember that this is a form of job interview and treat it as seriously as any job interview you’ve been on.  If anything does not smell right or you aren’t sure of anything at all politely decline.

But let’s say you’ve accepted the contract.  The next place and final place you can walk away is when the translator submits the first ten pages. In evaluating these, don’t just look at the words on the page but the FORMATTING because, as with your own books you self-publish, the formatting and editorial can make or break the book.  If anything seems like you would not submit those ten pages as a stand alone, polished work DECLINE THEM — this is your last and ONLY chance to get out of the contract.  Despite what you may see in the system, this is the actual point of no return for you.  Once those ten pages are accepted you are committed to publishing the book — no matter the quality of the final product you are given.

And this is the part that no one ever mentions to you:  you cannot decline to publish a completed book on Babelcube — even though there is a button in the review process that says “decline this translation.”

What happens if you do hit the “decline” button?  Firstly you are asked to confirm and warned that confirming the decline will open a dispute with Babelcube.  What this means is that they will investigate and make a ruling.  If they rule for you, the translator has to fix the errors.  If they rule against you then you owe the translator an undisclosed amount of money.  But the system doesn’t tell you that.  I found out by asking via email after I reviewed the final document on one of my books and deemed it of such poor quality that I was not comfortable with continuing.

In essence you have to approve the final book.  You can ask for some changes (hit “return” and then send a message to the translator to do so), but you actually DO have to hit “accept translation” and then publish the book. “Reject translation” means you are willing to pay for the translator’s time for a book that you will not publish.

For most people it’s far cheaper to enlist the help of someone outside of Babelcube’s system to help you fix the document so you can publish — which is exactly what I am doing right now.

This is why it is critically important that you wait until each translation is complete before signing another contract with a translator. Even after publishing one or two books all the way through the process (meaning the book is live Amazon, iBooks, Scribd, etc.) with a translator, my experience shows that it is best to only contract one book at a time with a specific translator.  Life happens and schedules change.  Limiting yourself to one contract at a time per translator helps everyone balance time and priorities to the satisfaction of all parties and empower everyone to create the best work possible.

In summary, Babelcube can be an excellent platform for translating books into multiple languages.  But success with it requires the author always beware of its inner workings and courageous enough to walk away from any project that does not meet expectations either before the contract is signed or when receiving the first ten pages.

This is your brand.  Protect it.

Repost: How to Find Book Reviewers on Twitter

Back in September I received a nice email about finding reviewers on Twitter from Book Marketing Tools.  With all the insanity that was autumn 2014, the newsletter naturally filed itself away, not to be seen again until this morning.

Not everything in that newsletter is blog worthy in my humble opinion; here is the section of that which I do think is valuable and useful to independent authors.

Influences upon readers when buying self-published books

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Here is how to find book reviewers on Twitter:
by – Shawn & R.J. with Book Marketing Tools
  1. Load up Twitter, and using the search form, search “book reviewer” “book blogger” “(your genre) reviews” and other topics like that. Be creative! I don’t want everyone contacting the same exact reviewers!
  2. This will show you a list of Tweets. Scroll and find the “People” box, and click “View All”. You will then find all profiles related to your search topic.
  3. Click on each profile and make sure they are a) active with a fairly recent tweet and b) they have at least 100 followers (the more the better).
  4. Then, identify possible matches, click through the Website listed on their Twitter profile, and find their rules for review submissions.
  5. If your book is within the confines of their rules, then submit your book for review!

Authors: this form is not rocket science

Keywords: marketing, self-publishing, blogging

It is three in the morning eastern standard time.  Really truly I thought I would be back in bed like a civilized lass by now.  But I am taking out a few minutes in the middle of the early morning because I am utterly baffled on something when it comes to my sister and fellow authors:  why can so few of you follow kindergarten level instructions?

If you follow this blog you know that on Thursdays I run a character profile column based on the Chris Matthews’ Show column called “tell me something I do not know.”  On his show, Chris Matthews gives political pundits about 15 seconds each to tell viewers something they do not know and should know about current events and politics.  I can be a bit of a political junkie at times; Meet The Press is my favourite program on NBC.  And yes, I confess I love the dedicated journalism of NBC London’s Keir Simmons; he is definitely a role model to look up to as a writer.

Taking a page from this journalism, these character profiles are designed to be SHORT.  Firstly, they are completely free to the authors featured — as opposed to book cover reveals which tend to be PAID ADVERTISEMENTS (and no, I do not find those effective from a marketing standpoint).

Secondly and perhaps most importantly, the purpose of these profiles are to get you CURIOUS.  When you as a reader are curious about something, you take the initiative to learn more about it, to explore it.  The discovery process is satisfying for us as humans; we like to sample and try things ourselves. When authors deny us this process by overselling, our instinct is to move on.

 

The First KingThe requested information on my form is therefore no accident.  It is in fact very straight forward.  I ask for the series name (if there is one), the character name, the book or books the character appears in, the Amazon or Smashwords link (permafree flash fiction like The First King tends to be on Smashwords, not Amazon because Amazon does not allow authors to offer free books there), and of course two or three sentences about the character.  This is not rocket science.  In fact, the instructions for the character profiles are many times simpler than those used by Amazon, Smashwords, and Apple to publish on their platforms.

I assume that someone able to self publish on the above is capable of filling out these fields.

Apparently though I am wrong.  This is discouraging because I genuinely want to profile more character from more secular children’s, middle grade, and young adult books on this blog (if you are an author of these, please email me at peersofbeinan at gmail dot com with your inquiry and proposal).  I love working together to bring great independent and small press books out there to readers like you.  But seriously:  this is a favour to you, a service.  I am not your mother, I am not your editor.  Do not treat me as one unless you want to pay me for the privilege.  Do not get cute or think that the rules here do not apply to you.  Because at this point instead of playing mommy dearest and treating you like a child, I am simply now rejecting submissions.

This form is not hard.  It is not rocket science.  If you can pass 2nd grade, let alone write for the 2nd grade, you can follow my instructions — or at least email me back for clarification on what I mean.

Time to grow up, folks!  Self publishing is not for the feint of heart.  If your aim is to fail at this industry, the best way I know is to disrespect bloggers and other writers doing you favours like this.

 

I for one am done playing mommy.

 

 

 

Reblog: Should Authors Stop Their Characters At First Base?

Today’s reblog is a post by J. Boyce Gleason entitled “Should Authors Stop Their Characters at First Base.”

 

Here is Mr. Gleason’s post in full.  What do you think?  Let’s talk about sex in books!

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Why Not “Fade to Black?”

Authors make lots of choices. How much of the plot do we reveal? How soon do we reveal it? Should we follow one narrative point of view or many?

And then there is sex. How far do we let the characters go? Do we stop them at first base and fade to black? Second? Third? Is it necessary for the reader to watch them go all the way? How much detail is too much detail?

The choice I made was to be “all in.”

One of the reasons we read fiction is that it gives us the unique opportunity to delve inside a character’s persona. We see their thoughts and emotions. We know what drives them to make the choices they make. Like Toto in the Wizard of Oz, fiction allows us to pull aside the curtain to see what levers are being manipulated.

Sex (or the abstinence of sex) is an integral part of who we are. It shapes our personalities, our choices, our self-esteem. We may choose to keep the details private, but it shapes us nonetheless. Why should literature be any different?

The trick is to make sure you are writing it for the right purpose.

“If you are writing to titillate the reader – or yourself – you are writing for the wrong reason,” author Barbara Dimmick (In the Presence of Horses, Heart-Side Up) warns. “There are no generic sex scenes. Sex is so intimate that it changes with each partner. Couples create their own language for sex; they have their own signals for intimacy, their own rituals for foreplay. To be credible, a sex scene must reflect that level intimacy. It should give your readers insights into your characters, not into you.”

My first novel, Anvil of God, is a sweeping tale that chronicles the struggles that the family of Charles the Hammer (Charlemagne’s grandfather) face in the wake of his death. Based on a true story, it is a whirlwind of love, honor, sacrifice, and betrayal. It offers readers far more than a sex. But the sex scenes in it, hit that high standard. They present a unique window into each character’s identity. For Trudi, sex is an act of independence; for Carloman it is a counterpoint to the rigidity of his religious beliefs, for Pippin an expression of joy and respite from the violence of his life. The scenes advance the story in a way no other scene could.

About the Author:
J. Boyce Gleason With an AB in history from Dartmouth College, J. Boyce Gleason brings a strong understanding of what events shaped history. He says he writes historical-fiction to discover why. Gleason lives in Virginia with his wife Mary Margaret. They have three sons.

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Do you agree with Mr. Gleason?  Post your remarks below!

Reblog: 5 New Years Resolutions for Authors

Here is another gem from Book Marketing Tools.  I do not agree with everything in this blog post, especially this idea that you can and should try to do all/most of this EVERYDAY.  I find focus is very important to my writing and my productivity; do things ONE at a time or you will burn out trying to be everything at once.

 

Here is that post in full:

5 New Years Resolutions for Authors

Happy New Year!

A new year causes us to look back at the previous year and see all that we have (and have not) done.

A new year also allows us to look ahead to the coming year with renewed optimism and excitement for what is to come.

A new year wouldn’t be complete without some resolutions. Some people want to lose weight. Others want to be more productive. Some want to start a new business and others want to take their business to the next level!

As a self-published author, there are some things that you can do to improve your business, further your brand, and hopefully make more money by selling more books. Before we dive into our list of 5 great resolutions for authors, let’s look at what makes a good resolution.

What Makes A Good New Year’s Resolution

Lisa Lahey, a Harvard professor, says, “People in the New Year’s resolution approach are just going directly at trying to change their behaviors. For the majority of people… it is just not going to work because it is not fundamentally a behavior problem: It is a mindset problem.”

The key is to not focus on changing behaviors. Many behaviors are ingrained in us and usually have a deeper root cause that, if not addressed directly, will cause our surface behavior change to be short-lived. You may succeed in the short-term, but you will usually fail in the long-term if you are trying to just change behaviors.

So how can you make resolutions that you can stick to? The key is to focus on what Lahey calls “technical goals”, those that require learning a new skill or implementing a new behavior. Instead of making a goal to “lose more weight”, you can focus on a technical goal such as “walk 1 mile, 4 times per week”. Such a goal is related to “lose more weight”, but this type of goal can be measured, tracked, and is something you are in control of. If you resolve to lose more weight but your body doesn’t cooperate, then you can become discouraged. By creating goals that you are in control of, you can control whether they are accomplished or not.

How does this relate to authors?

All authors wants to sell more books (of course), so that usually becomes the focus of their goals and resolutions. The problem is, you are not directly in control of whether or not you sell more books (unless you are buying them all yourself, which defeats the purpose.) You CAN control the steps you take to help you to sell more books and those are the types of goals that a self-published author should focus on.

What Can You Do To Sell More Books This New Year?

Here are the 5 New Year’s resolutions for authors:

  1. Spend 30 Minutes A Day On Marketing – Marketing is important but it is often neglected. Either authors don’t like the idea of marketing, they don’t know what to do, or they would just rather be writing. Whatever the case is, marketing is often neglected and if you aren’t marketing, you probably aren’t selling as many books as you could be. Marketing is simply telling other people about your product. Resolve to spend just 30 minutes a day finding and adding readers on Twitter, Google+, or Facebook. Work on reaching out to blogs that have a similar subject matter as your book, finding reviewers, or setting up passive marketing mechanisms like calls to action in the back of your book. There are plenty of things to do, so if you can devote just 30 minutes a day to marketing, you will definitely be able to sell more books in this new year!
  2. Write More Books – While I don’t believe in the philosophy of simply writing more books as your only form of marketing, I do think that the more books you have, the more opportunities you have to gain readers and sell more books. Focus on publishing as many books as you can this year (even if it is just 1 or 2), because different books will grab people’s attention in different ways, but once they see and like your writing style, they will want to read more books from you so it pays off to have more books to sell to them!
  3. Set Up Your Mailing List and Send People To It – If you do not have a mailing list set up, read here to learn why you should set up a mailing list. If you already have a mailing list, or after you set one up, work on leading people to the mailing list. Create an enticing offering, whether it is a piece of art, a novelette, or something appealing to get them to sign up to your mailing list. Talk about your mailing list and the exclusive content they can get by joining the list on Twitter, Facebook, on your blog, etc. This is the single most important marketing mechanism you can have in place, so put your focus on growing your list this new year.
  4. Find 2-3 Blogs A Week That You Can Promote Your Book On – Finding blogs that deal with a similar subject matter as your books is one of the most effective ways to market your book. Does your main character love her cat? Find cat-lover blogs and tell them about your book, possibly even offering a free copy to the blog owner. They get a free book, something to write about that their readers will love, and you get a way to promote your book that isn’t saturated with other books and that can drive some solid sales to your book! It is a win-win strategy for all involved: you, the blog owner, and the blog readers! Seek out and find 2-3 such blogs each week and reach out to them (this can be done during your 30 minutes of marketing a day!) Expose your book to new readers at each blog who would love to know about your books!
  5. Connect With 3-4 Other Authors You Can Cross Promote With – The idea of “self-publishing” creates a feeling of having to go at it alone (the word “self” doesn’t help), but you do not need to go on this journey alone! Find 3-4 other similar authors early in the year and reach out to them to see if you can work together with them to promote each others’ books. You can run discount promos together, you can tweet about and share each others books, and you could even make boxed sets featuring 1-2 of each authors books. Many more promotional opportunities are available when you work together with other authors. You can share your audience, your reach, and get more exposure all from working together! Work together with other authors to help boost sales for each of you this year!

Charging Ahead in the New Year

There is always some type of marketing you can be doing, but there are never enough hours in the day to write more, market more, and do all of the publisher duties such as editing, formatting, etc. But, you can make small, measurable goals or resolutions to improve your marketing this year by resolving to do a few (or all) of the resolutions above! These steps will help you to accomplish the ultimate goal to sell more books and get more readers!

Here’s to a happy and prosperous year!

– The Book Marketing Tools Team

Reblog: What Are the REAL Odds of Being a Successful Author?

Okay, you have your new year’s resolution all set!  Now you are ready to go make a splash professionally.  Before you look at site statistics and let yourself feel overwhelmed, please take a look at what Kristen Lamb has to say about the odds of your success and how much control you really have over it.

 

I do not agree with everything in this article, but it is certainly worth thinking about.

What Are the REAL Odds of Being a Successful Author?

didn’t even consider becoming a writer until 1999 after my father passed away suddenly. Funny how death can make us take a hard look at life, right? Anyway, I recall feeling soooo overwhelmed. I mean my odds of even getting published were about as good as winning the lottery. And the odds of becoming a best-selling author? Well, mathematically speaking, I had a slightly greater chance of being mauled by a black bear and polar bear on the same day.

It was all I could do not to give up before I began.

But, after over 14 years doing this “writer thing,” I have a new perspective. Often it feels like we are the victims of fate, at the mercy of the universe, when actually it is pretty shocking how much of our own destiny we control.The good news is that if we can get in a habit of making good choices, it is staggering how certain habits can tip the odds of success in our favor.

Time to take a REAL look at our odds of success. Just so you know, this is highly unscientific, but I still think it will paint a pretty accurate picture. I will show you a bit of my own journey. And, to be blunt, this DOES NOT ONLY APPLY TO WRITERS.

Did you know most entrepreneurs fail at least three times before getting traction? Most new businesses don’t make it a year. They are fortunate to survive THREE years and if they can hit The Golden Six? Smoother from there. But WHY?

The 5% Rule

It has been statistically demonstrated that only 5% of any population is capable of sustained change.

I remember when I was a rather young writer and NYTBSA Bob Mayer introduced me to this idea. I was AGHAST! No, writers just needed nurturing, cuddling, and help. Trust me, it pains me to say he was/is right.

***But Bob is generally right and that is often why it ticks me off to admit this.***

I worked for years with self-professed writers who refused to learn, listen or even work. They had the skin of a grape and wanted to make it in an often undervalued profession that is NO place for the idle or thin-skinned.

Thus, with that in mind…

When we start out wanting to write, we are up against presumably millions of other people who want the same dream. We very literally have better odds of being elected to Congress than hitting the NY Times best-selling list. But I think that statement is biased and doesn’t take into account the choices we make.

As I just said, in the beginning, we are up against presumably millions of others who desire to write. Yes, millions. It is estimated that over ¾ of Americans say that they would one day like to write a book. And that is only ONE continent. Much of Europe, Australia and New Zealand are burgeoning markets in the new digital paradigm.

That’s a LOT of people. Ah, but how many do? How many decide to look beyond that day job? How many dare to take that next step?

Statistically? 5%

So only 5% of the millions of people who desire to write will ever even take the notion seriously. This brings us to the hundreds of thousands. But of the hundreds of thousands, how many who start writing a book will actually FINISH a book? How many will be able to take their dream seriously enough to lay boundaries for friends and family and hold themselves to a self-imposed deadline?

Statistically? 5%

Of that 5%, how many will join a critique group—A GOOD ONE—and learn instead of sulking?

5%

Okay, well now we are down to the tens of thousands. Looking a bit better. But, finishing a book isn’t all that is required. We have to be able to write a book that is publishable and meets industry/reader standards. When I first started writing, I thought that everyone who attended a writing critique group would be published. I mean they were saying they wanted to be best-selling authors.

But did they?

Or, were they more in love with the idea of being a best-selling author than actually doing whatever it took to succeed? I would love to say that I was a doer and not a talker, but I don’t want to get hit by lightning. There were a number of years that I grew very comfortable with being in a writing group as a writer…but not necessarily a professional writer.

I was still querying the same book that had been rejected time and time and time again.  I wrote when I felt inspired and didn’t approach my craft like a professional. I was, at best, a hobbyist and, at worst, hopelessly delusional.

I didn’t need craft books *snort* I spoke English, so I knew how to write. Geesh! *rolls eyes*

I was a member of two writing groups, and had grown very fond of this “writer life.” We hung out at I-Hop and drank lots of coffee. We’d all chat about what we’d do with our millions once we were bigger than Dan Brown. We talked about new ideas for books that never seemed to get written. Or if we ever did sit to write one of these ideas, we would get about 30,000 words in and then hit a wall.

Hmmm…and I thought that idea had so much promise.

Yet, after four years hearing the same talk from the same people shopping the same novels, I had a rude awakening. Maybe I didn’t know as much as I thought I knew. Maybe being a copy writer and technical writer and editor didn’t automatically make me a novel-writing genius. Maybe I needed to take this dream of being a best-selling writer a tad more seriously and not rely on bluster, BS and glitter. Maybe I needed to read craft books and scrape up enough money to go to a conference.

So, of the tens of thousands of writers who write a novel, how many read craft books and get serious enough to take classes, listen to thoughtful critique, and attend conferences?

You guys are good….5%

And of those who attend a conference (and want to traditionally publish), who are asked to send in page requests, how many follow through?

Likely, 5%

How many will land an agent right away?

5%

And of all of those authors rejected, how many writers, determined to impress, are willing to GUT their novel and wage wholesale slaughter on entire villages of Little Darlings? How many are willing to put that first novel in a drawer, learn from the experience and move forward with a new book…which they FINISH?

5%

And of the writers who land an agent or are brave enough to go indie or self-publish, how many of them get dead-serious about building a large social media platform?

Again? Probably 5%.

And of those writers who are published and doing social media, how many of them are effectively branding their names so their name alone will become a bankable asset (versus taking the easy way and spamming everyone in sight)?

5%

Of those who self-publish, how many will keep writing more books and better books until they hit a tipping point for success? (versus beating marketing one book to death)

5%

Of writers who self-publish, how many will invest in professional editing and cover art?

5%

Thus, when we really put this dream under some scrutiny, it is shocking to see all the different legs we control.

We control:

Taking the Decision Seriously

Writing the Book

Editing the Book

Finishing the Book

Learning the Craft

Developing RHINO SKIN

Networking

Following Through

Not Giving Up in the Face of Rejection

Writing Books

Writing More Books

Yes, Writing Even MORE Books

Doing Everything in Our Power to Lay a Foundation for a Successful Career

I am not saying that finishing a book is easy. None of this is easy.

This job is a lot of hard work and sacrifice, which is exactly why most people will never be genuine competition. When we start out and see all the millions of other writers I think we are in danger of giving up or getting overwhelmed. Actually, if we focus on the decisions we control, our odds improve drastically.

This job is like one giant funnel. Toss in a few million people with a dream and only a handful will shake out at the end. Is it because fortune smiled on them? A few, yes. But, for most, the harder they worked, the “luckier” they got. They stuck it out and made the tough choices.

In the Sahara there is a particularly long stretch of desert that is completely flat. There are no distinguishing landmarks and it is very easy to get lost. To combat the problem, the French Foreign Legion placed large black oil drums every mile so that travelers could find their way across this massive expanse of wasteland one oil drum at a time.

Are we there yet?

 

Want to be a successful author?

Take it one oil drum at a time.

What are some oil drums you now see ahead? Does your journey to author success seem easier now? What makes you feel overwhelmed? What inspires you?