Tag Archive | England

Gwenllian ferch Gruffydd Análisis De La Escena: Vestuario

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Traducido por Andrés Sotelo Soria:

Buen día y bienvenido seas a tu viaje como recreador, actor o productor de una de las Obras Teatrales de las Mujeres Legendarias de la Historia Mundial.
Como historiadora, me apasiona la historia. Adoro pocas cosas más que ver una obra de teatro del periodo correcto en la que se representan de forma exacta los vestuarios. Pero, ¿qué se puede hacer si tienes poco presupuesto o si vas a montar las obras de “Gwenllian ferch Gruffydd” o de “La Emperatriz Matilda”? ¿Qué pasa si no tienes años de experiencia en investigación de vestidos medievales?

La siguiente es una guía general para las producciones de “Gwenllian ferch Gruffydd: Un obra en tres actos” y para la reconstrucción general de personajes del siglo XII:

ANÁLISIS DE LA ESCENA: VESTUARIO

A menos que se especifique en algún otro sitio, los personajes usan atuendos comunes del siglo XII

MUJERES: vestidos de túnica que llegan hasta el suelo y los primeros briales conocidos, ambos usados con cinturones largos que se ajustan fijamente alrededor de la cintura. Los briales (cuando se usen) se atan de lado. Las capas se usan en la noche y durante los meses de invierno.  Las galesas usan una continuación de la antigua capa envuelta y asegurada con un prendedor llamada “brat”.

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HOMBRES:  camisas de túnica que caen hasta la rodilla y pantalones sencillos. El cinturón está amarrado fijamente a la cintura. Las capas se usan en la noche y durante los meses de invierno.  Los galeses usan una continuación de la antigua capa envuelta y asegurada con un prendedor llamada “brat” La jerarquía tanto de los hombres como de las mujeres se muestra a través del tipo de tela y los adornos con bordados elaborados a lo largo del escote, las mangas y dobladillos en los dobladillos de la ropa usada por la realeza. La joyería también establece la jerarquía con anillos elaborados y gargantillas llevadas por los ricos y poderosos.  Nota:  los collares de librea (los cuales se posan de forma plana contra el cuerpo en vez de colgar libremente en el cuello) se usaron por primera vez en el siglo XIV y, por lo tanto, están fuera de este periodo.  Vestuario especialPrólogo: el fantasma de Gwenllian usa un brial de color azul pálido con rosas blancas y narcisos amarillos bordados a lo largo del dobladillo.  Es el mismo vestido que usa Gwenllian en el Acto I, Escena VIII.

Acto I, Escena II: El lodo cubre las capas y las botas de Hywel y el príncipe Gruffydd.

Acto I, Escena VII: Gwenllian usa un bello vestido y una capa bordada.  Su cabello pelirrojo está perfectamente trenzado y cae sobre su espalda.  Una diadema sencilla de nobleza oculta su verdadera posición social como la hija del rey.

Acto I, Escena VIII: Gwenllian usa un brial de color azul pálido con rosas blancas y narcisos amarillos bordados a lo largo del dobladillo.  Lleva sobre su cabeza la diadema real de una princesa de Gwynedd sobre su cabello trenzado descubierto.

Acto III, Escena I: la dama de compañía pone una capa gruesa sobre el vestido de túnica sencillo de Gwenllian. Los sirvientes colocan una armadura pesada sobre el príncipe Gruffydd sobre la cual atan una capa gruesa.

Acto III, Escena II: la armadura del príncipe Morgan, su ropa y su cara están cubiertos de sangre, lodo y hollín.

Acto III, Escena V: los granjeros usan túnicas y pantalones viejos y en su mayoría raídos. Gruffydd ap Llewellyn usa una armadura modesta y está armado con armas de calidad. Morgan y Maelgwn llevan una armadura y armas finas.

 

Twelfth Century Costuming: General Guidelines for “Gwenllian ferch Gruffydd: A Play in Three Acts”

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Fit for a 12th century queen! Heavily embroidered bliaut, cloak, veil, coronet, and wimple.

Bore da! Good morning and welcome to your journey as a medieval re-enactor, actor, or producer of one of the Legendary Women of World History Dramas.

As a historian, history is my passion.  I love few things better than seeing a period-correct drama where the costumes are accurately rendered.  But what do you do if your budget is small or you are playing scenes from either “Gwenllian ferch Gruffydd” or “Empress Matilda of England” stage dramas? What if you don’t have years of expertise researching medieval gowns?

The following is a general guide for productions of “Gwenllian ferch Gruffydd: A Play in Three Acts” and for general re-enactment of 12th century characters/personae:

WOMEN: Floor length tunic dresses and early stage bliauts, both worn with long belts that are knotted secure around the waist. Bliauts (when worn) are side-laced. Cloaks are worn at night and during the winter months.  A continuation of the ancient wrapped and pinned style of cloak called a “brat” is worn by the Welsh.

 

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A simple bliaut showing the side lacing.

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A simple bliaut pattern

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Anglo-Saxon veils and wimples (600-1154)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Most adult Anglo-Saxon and  Anglo-Norman women in this period wear veils and wimples on their head, neck, and shoulders.

MEN:  Knee to floor length tunic shirts and simple trousers. Belt is knotted secure at the waist. Cloaks are worn at night and during the winter months.  A continuation of the ancient wrapped and pinned style of cloak called a “brat” is worn by the Welsh.

 

For both women and men rank is displayed through the type of fabrics worn and ornamentation with elaborate embroidery along the neckline, sleeve, and hemline on the hemline of clothing worn by the royals. Jewellery also establishes rank with elaborate rings and necklaces worn by the rich and powerful.

 

Note:  livery collars (which lay flat against the body instead of hanging freely from the neck) were first worn in the 14th century and therefore are out of period.

 

Special costuming suggestions for “Gwenllian ferch Gruffydd: A Play in Three Acts:”

Prologue: Gwenllian’s Ghost wears a pale blue bliaut with white roses and yellow daffodils embroidered along the hemline.  This is the same gown Gwenllian wears in Act I, Scene VIII.

Act I, Scene II:  Mud covers Hywel and Prince Gruffydd’s cloaks and boots.

Act I, Scene VII: Gwenllian wears a beautiful gown and embroidered cloak.  Her red hair is braided neatly down her back.  A simple circlet of nobility conceals her true status as the king’s daughter.

Act I, Scene VIII: Gwenllian wears a pale blue bliaut with white roses and yellow daffodils embroidered along the hemline.  On her head she wears the royal circlet of a princess of Gwynedd over her otherwise uncovered braided hair.

Act III, Scene: Lady in waiting puts a heavy cloak over Gwenllian’s simple tunic dress. Servants put heavy plate armour onto Prince Gruffydd over which they fasten a heavy cloak.

Act III, Scene II: Prince Morgan’s armour, clothing, and face are covered in blood, mud, and soot.

Act III, Scene V: Farmers wear old and mostly worn out tunics and trousers. Gruffydd ap Llewellyn wears modest armour and is armed with quality weapons. Morgan and Maelgwn wear very fine plate armour and weapons.

History Profile: King William II (Rufus)

270px-William_II_of_EnglandDate of Birth: circa 1056

Place of Birth: Normandy

Date of death:  2 August 1100

Spouse: none

Issue: none

Successor:  Henry I

Openly homosexual and sceptical of the church in a time where questioning Church doctrine was almost unheard of, King William II was the favourite son of his father, William I (the Conqueror).  In 1087 William inherited the throne of England from his father; his elder brother Robert received Normandy while his younger brother Henry received money. A warrior like his father who stammered when he spoke, William worked to extend his father’s conquest of England into Wales and Scotland.  He forced King Malcolm Canmore of Scotland (of Shakespeare’s “MacBeth” fame for his death at MacBeth’s hands) to swear fealty to him and acknowledge him as overlord.  In Gwynedd Wales he retained King Harold Godwinson’s puppet King Bleddyn ap Cynfyn, using him to displace King Gruffydd ap Cynan and force him into exile in Ireland.  In 1093 in Deheubarth, William II’s knights killed King Rhys ap Tewdur at the Battle of Brycheiniog, forcing his four sons into exile, including Prince Gruffydd ap Rhys (the future husband to King Gruffydd ap Cynan’s daughter, Princess Gwenllian).

William Rufus ordered the construction of some of the most famous and infamous castles in all of Wales including Chepstow Castle (1087, the year of his coronation) in Carmarthanshire and Pembroke Castle (birth place to Prince Gruffydd ap Rhys and Princess Gwenllian ferch Gruffydd’s descendent, King Henry VII) in Pembrokeshire in 1093.

In England William Rufus was a passionate hunter who continued his father’s cruel Forest Laws (of Robin Hood fame) and extended them.  It was his love of hunting that opened the door for his younger brother Henry.  On 2 August 1100 under mysterious circumstances King William was struck in the lung by an arrow.  Walter Tirel is given the blame for firing the deadly arrow; many believe it was done on Prince Henry’s orders as a way of getting rid of a violent, impious, and almost universally hated king.

 

Though most people consider Henry I’s descendent King John the most hated king in medieval history, the prize rightfully belongs to King William Rufus whose wars and violent nature not only made him the bane of most English women and men but set the stage for the challenges still experienced forging a united kingdom out of England, Scotland, Wales, and northern Ireland.

History Profile: Queen Boudicca

Date of Birth:  circa 30 CE

Place of Birth:  unknown — likely Gaul

Date of death: 60 or 61 CE — suicide

Spouse: King Prasutagus of the Iceni

Issue: none surviving

Queen Boudicca is the national heroine of England for a reason:  she united rival British tribes and won several military victories against the Romans in a time when that was deemed impossible.

Often depicted as a vengeful warrior out for blood on a personal vendetta, the real Queen Boudicca ruled as her husband’s co-sovereign over the small but technologically advanced and religiously devout Iceni nation.  In 60 or 61 CE King Prasutagus died mysteriously.

Though often assumed to be old age by many, the timing of his death relative to the Roman military campaigns on the Welsh island of Ynys Môn coupled with the terms in Prasutagus’ last will and testament suggest otherwise.  Prasutagus was worth more dead than alive to the Romans, especially as the Romans did not recognize Celtic laws and customs which granted women near complete equality to men.  With his family members all female, the Romans were eager to remove Prasutagus and fully conquer the Iceni.  This suggests to me his death was violent and at Roman hands.

When the Romans invaded her lands, Boudicca did what any sovereign or co-sovereign would do:  she mounted a defence.  After losing the first battle with the Romans in her own community at which she and her daughters suffered outrageous torture and injury, Boudicca struck back, determined to prevent the Romans from harming her people again.

It worked better than she could have expected.  Other tribes, especially her southern neighbour the Trinovantes joined with her, forming a rare confederation that eventually spread across several tribes.

Boudicca achieved unity from within the boundaries of her free and very individualistic society, proving that liberty and unity can exist when we put aside what divides us and choose to work together.

 

Read more about Boudicca in “Boudicca, Britain’s Queen of the Iceni” in your choice of English, Welsh, Welsh-English, Chinese, and Spanish.  Audio edition narrated by Richard Mann.

Five Facts about Queen Mary Stuart of Scotland You Probably Did Not Know

Mary Queen of ScotsMerry Christmas and Happy New Year!  As the holidays begin to wind down a bit (Yule was Monday Night/Tuesday) I thought I would share five things about Queen Mary Stuart of Scotland (1542 -1587) you probably did not know which I learned researching and writing “Mary Queen of the Scots” for the Legendary Women of World History Series.

  1. Queen Mary was born in December. The 8th of December to be exact.  Upon learning of his daughter’s birth, King James V predicted the ruin of his dynasty because she was a girl instead of a boy.
  2. Queen Mary’s love of her life (as evidenced in the poetry she wrote in French), King Francis II of France was incapable of having children.  As much as Mary loved him, too many generations of close marriage resulted in birth defects making children impossible for the happy couple.  As dangerous as the political situation turned out for Mary after Francis’ death in 1560, had he lived longer the situation would have likely become far worse for Mary and for Scotland as a whole.
  3. Lord Darnley was the healthiest suitor to Queen Mary–but not her first choice.  Understanding her duty to remarry following Francis’ death, Mary actually considered many possible suitors from across Europe.  The 16th century royals however were especially plagued with health issues (including King Edward VI of England whom Henry VIII tried to force Mary to marry).  Unwilling to marry beneath her class, Henry Stewart (also descended of Queen Consort Margaret Tudor) was Mary’s best chance at producing an heir.
  4. Protestant reformer John Knox was both her dangerous enemy and her friend.  True to the complexities of Mary’s court and her life as a whole, Queen Mary found John Knox to be an amiable companion when hunting or shooting her bow despite his efforts to impose radical Protestantism onto Scotland and depose Mary as queen.
  5. Queen Mary’s return from France transformed Edinburgh Castle into the bright and beautiful place it is today. Prior to Queen Mary’s reign Edinburgh Castle was a cold, dark, and dreary place.  This was in sharp contrast with the glittering palaces of Paris where she grew up and eventually reigned (briefly) as queen.  Partially to make Edinburgh Castle a proper and comfortable home for herself, Mary commissioned numerous improvements, adding beauty and glamour that was previously absent in Scottish courts.

 

Mary Queen of the Scots

Learn more about Queen Mary Stuart in “Mary Queen of the Scots, the Forgotten Reign,” book three of the Legendary Women of World History Series.  Available for kindle, Nook, iBookstore, and in paperback on Amazon, and at a retailer near you.

Biography includes comprehensive bibliography, extensive timeline, and translations of Roman Catholic prayers from Latin to English.  Also available in French, German, Italian, Chinese, and Spanish. See https://bit.ly/2IWJeOB for links to non-English editions.

Owen and Catherine: the Love Story that launched the Tudor dynasty

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Just then a scream echoed in the forest.  Drawing their swords, Linet and Boudicca charged towards the sound.  By the time they reached the source all that could be seen was Prasutagus, his blood spilling into the ground – as if a year-king killed as an offering to the gods for his people.  Prasutagus looked up, his eyes blurring, “Boudicca?”

Boudicca knelt, weeping, the blood from his chest wound soaking her dress, “I am here.”

“A Roman – scout – I – surprised him.” gasped Prasutagus, trying in vain to tell his wife what happened, knowing the moment he died rage would fill her – rage against Rome.

Boudicca kissed him tenderly, “My love, do not leave me!”  Prasutagus kissed her repeatedly, his eyes fixed on hers until they saw no more.  Feeling his spirit leave his body, Boudicca wept, as if her entire life suddenly passed with him – at least for this moment.  Finally, she rose, helping Linet carry him to their chariot.  With a gentle nudge of the reigns the horses turned for home and the sad work ahead.

—————

Welcome to RomanceFest 2015!  I hope all month long you’ll discover many amazing books from some of the top independent authors in the world.

Complete Series 3D

My contribution to RomanceFest is a bit different.  Rather than offering you the thrilling paranormal science fiction romance of the Peers of Beinan Series, I decided to take a different, much more risky approach.  I decided to make my RomanceFest books CREATIVE NON-FICTION HISTORY for young readers and family audiences.

In the excerpt you just read above and audio excerpt you just heard on the youtube video, you experienced the powerful love between King Prasugasus of the Iceni and his wife, Queen Boudicca.  Boudicca is remembered every year in King’s Cross London for destroying the Roman cities of Camulodunum (originally the capital of the Trinovantes, the southern neighbour to the Iceni in what is now Essex), Londonium, and Saint Albans in the year 61 CE.  Typically she is portrayed as a vengeful shrew getting back at the Romans for publicly flogging her and raping her two daughters (aged 10-12 years old).  I took a different approach with the biography, one intensely grounded in archaeology and one taking a broader look at the cultures of ancient Britain.  Boudicca:  Britain’s Queen of the Iceni is creative non-fiction history for young readers and families at its absolute finest, one benefiting immensely from the dynamic artistry of British voice artist and actor Richard Mann (easily the best English actor you probably never heard of — yet!).

Now I would like to introduce you to Queen Catherine de Valois.  Shakespeare immortalized Catherine in “Henry V,” a play very much taking King Henry’s point of view.  The real Henry and the real Catherine were very different.  In my biography for younger readers and families, you meet the real Catherine de Valois: bright, educated, and religiously devout.  You see her in her historical context as she navigates her father’s mental illness, the French civil war between house Valois and the Duchy of Burgundy, and her brother Charles’ struggles to become king of France — with a little help from Joan of Arc.

But more importantly, you explore her relationships with King Henry V of England, their son King Henry VI, and the true love she found in Owen Tudor.  It is a beautiful, romantic tale to inspire generations of girls and women.

I am pleased to announce that in May or June 2015 Richard Mann and I will release the audio edition of Catherine de Valois on Audible, Amazon, and iTunes.  So take a listen to the above audio book excerpt, then download your copy of Catherine de Valois on Amazon.com, Barnes/Noble, Smashwords, or Ibookstore.

 

Enter to win a free copy of Catherine de Valois! Winners announced 31st of May 2015

Character Profile: Queen Boudicca

Today’s historical person is Boudicca:  Queen of the Iceni.

Boudicca:  Britain's Queen of the Iceni

Series Name:  The Legendary Women of World History

Character name: Boudicca

Date of Birth: Circa 30 CE

Place of Birth: Gaul — Aedui Tribe

Reigned: 1st century of the common era

Died: 61 CE

Book appearing in: Boudicca:  Britain’s Queen of the Iceni in kindle and audio edition narrated by Richard Mann

Profile:   Born in slavery among the Aedui in Gaul just decades after Julius Caesar conquered her people, Boudicca escaped to Britannia in pursuit of freedom.  Finding true love in King Prasutagus of the Iceni, she co-ruled the religiously devout Iceni until Roman atrocities across Britannia forced her into one of the most famous confrontations in ancient history.

Ideal actress to play in a film adaptation: Amy Adams would make a powerful Boudicca.

 

Connect with author-historian Laurel A. Rockefeller on twitter.